export default [ { id: 'jazz-251-major', name: 'ii–V–I', rn: ['ii7', 'V7', 'Imaj7'], degrees: [2, 7, 0], qualities: ['min7', 'dom7', 'maj7'], bars: [1, 1, 2], mode: 'major', songs: ['All The Things You Are', 'Tune Up — Miles Davis', 'Honeysuckle Rose'], tip: 'The 7th of each chord resolves down a half-step to the 3rd of the next — that two-note thread is the whole progression.', }, { id: 'jazz-251-minor', name: 'minor ii–V–i', rn: ['iiø7', 'V7', 'i7'], degrees: [2, 7, 0], qualities: ['half_dim', 'dom7', 'min7'], bars: [1, 1, 2], mode: 'minor', songs: ['Autumn Leaves (bridge)', 'Blue Bossa', 'Beautiful Love'], tip: 'Same engine as the major ii–V–I, darker fuel: the ♭5 of the iiø7 is the ♭9 colour waiting to happen on the V7.', }, { id: 'jazz-rhythm-a', name: 'Rhythm changes turnaround', rn: ['Imaj7', 'vi7', 'ii7', 'V7'], degrees: [0, 9, 2, 7], qualities: ['maj7', 'min7', 'min7', 'dom7'], bars: [1, 1, 1, 1], mode: 'major', songs: ['I Got Rhythm — Gershwin', 'Oleo — Sonny Rollins', 'Blue Moon'], tip: 'A loop, not a line — bar 4 hands you straight back to bar 1. Learn it as one circular shape your hands repeat.', }, { id: 'jazz-625', name: 'vi–ii–V–I circle', rn: ['vi7', 'ii7', 'V7', 'Imaj7'], degrees: [9, 2, 7, 0], qualities: ['min7', 'min7', 'dom7', 'maj7'], bars: [1, 1, 1, 1], mode: 'major', songs: ['Fly Me to the Moon', 'Autumn Leaves (A section, relative view)'], tip: 'Pure circle-of-fifths motion: every root falls a fifth. If you can hear this one, you can predict half the jazz repertoire.', }, { id: 'jazz-blues', name: 'Jazz blues (12-bar)', rn: ['I7', 'IV7', 'I7', 'I7', 'IV7', 'IV7', 'I7', 'VI7', 'ii7', 'V7', 'I7', 'V7'], degrees: [0, 5, 0, 0, 5, 5, 0, 9, 2, 7, 0, 7], qualities: ['dom7', 'dom7', 'dom7', 'dom7', 'dom7', 'dom7', 'dom7', 'dom7', 'min7', 'dom7', 'dom7', 'dom7'], bars: [1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1], mode: 'major', songs: ["Billie's Bounce — Charlie Parker", "Now's the Time — Charlie Parker", 'Tenor Madness — Sonny Rollins'], tip: 'A 12-bar blues wearing a suit: bars 8-10 swap the plain V-IV for a VI7 → ii–V turnaround. Hear bar 8 coming and you sound like a jazz player.', }, ]