KB-sourced ranking per the one-screen spec: same canonical degree
shape +100 (with the mandatory collapse of consecutive equal
degree/quality pairs — a real detector-produced 12-bar fires its blues
relatives despite the raw-index matcher bug), same style +40, shared
transitions +12 capped 36, degree-set Jaccard, length penalty; floor
24, max 5, never padded; entries render name/style/level/annotation +
the chord chain realized in the live key as real buttons ->
ChordDetailModal. match.js: additive exports only. Ride-along: dead
currentChord prop dropped from the banner mount. Critic PASS (both
hand-verified scores recomputed independently; full entry lists
byte-matched on three scenarios; collapse counterfactual = 39).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Chrome shave (rail p-2, rows p-1.5, dense cells p-1.5) so the
284+160 piano pair fits with real margin even under a classic Windows
scrollbar (was a genuine break: 452 > 439 at old paddings); gallery
basis 300->320 so a piano recommended cell can never share line one
(prominence for free) while guitar keeps 4 cells per line;
recommended-cell border strengthened to full accent. Playhead
highlight-only contract proven intact; non-dense mounts byte-identical
(28/28 at the gate). Critic PASS (arithmetic recomputed from source
AND the built CSS; flex-basis override confirmed in dist).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Key chip + last-5 history + loop chips on one wrapping row; the
playhead loop chip and the enlarged current history chip are the
"now"; p-2 chrome trim. The text-6xl Now Playing column, its divider,
and the dead currentRN computation are gone — the loop shows once.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
8 licks (39 total): the gospel-scale run with the b3->3 crush, shout
run-up, harmonized sixths walk (the m6 falling exactly where the major
scale demands), diminished roll over the passing #iv dim7; the nine
sigh, quartal slip (grace-brushed fourths, all Dorian), the Dilla
lazy chromatic drop (derived approaches), pentatonic turn onto the 9.
Critic returned once (one interval claim said "each move a step" —
actually skip-then-step), fixed with the gate's own prescribed
wording, verified against its computed -3/-2 motion. 42/43 first-pass
checks; quality-context honesty verified against the styles' real
progressions.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
8 licks (31 total): bebop enclosure into the b3, Baker's 3-5-b7-b9
dim-flip over the V7, Powell ascent to the 9th, Garland-lane dominant
thirds fall; the b3->3 crush, pentatonic turnaround fall (verified
survives over a minor blues), Spann hammer dyads, the cry-and-melt
7#9 fill. All realized before prose was written. Critic PASS (35/35
prose claims recomputed in two keys; idioms verified to match their
names, not just cite them; dom7-heavy blues coverage accepted as
musically right).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
SVG circle in the Knowledge Center Explore section: 12 majors outer
ring with key-signature glyphs, relative minors inner, live/locked key
solid accent with subdominant/dominant/relative soft-tiered; diatonic
chord chips inline (tap -> ChordDetailModal); wedge tap = local
preview only, app key state never touched; modal keys light the
correct ring and the hub teaches the parent-major relationship
("1# - G major's notes" for A dorian; 72/72 mode x root uniqueness
proven). Critic returned once (hub showed the wedge signature, not
the mode's), fixed, PASS on scoped re-gate.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Pop piano: 5 progressions x 2 plays (182 total) — triads/inversions
only, one sourced add9 shimmer; ballad rolls vs voice-led pillars,
doo-wop triplets vs one-finger walks, Pachelbel inversion stair,
tonic-drone pads, octave drive. Shapes: dim7/half_dim/aug/maj6/min6
each reach >=3 placeable grips, add9 gains a movable A-shape; dim
honestly left at 2. Audit also surfaced two WRONG pre-existing shapes
(half_dim E-Barre spells {0,3,6,7}; "Open Dadd9" is Dsus2) -> backlog.
Critic PASS (~110 independent checks; all additions pc-spelled in two
keys; strictly additive diff).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Piano licks live in <style>/piano.js licks arrays: required quality
(machine truth), deg XOR approach targeting the NEXT deg note
(enclosures fall out as idiom; same-type consecutive approaches
rejected), octave 0-2 with a 25-semitone cap proven one-semitone tight
against MiniPiano's 37-key window, 4-word piano technique vocab
(grace-note added; bend/vibrato impossible on keys), plus a dormant
smoke guard that activates when PianoLickCard.jsx exists. Smoke
879/879. Critic PASS (18 fresh sabotage cases, enclosure arithmetic
hand-verified, dormant guard proven to fire).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Realizes SCHEMA bass patterns per station (root at lowest playable
position, degs via the shared resolveDegree, typed approaches derived
from the next station with the open-E octave-displacement rule), lays
them out as compact E-A-D-G tab cards (lick-tab visual idiom), all
plays side by side, each with sequential playback through chordAudio
(negative notes documented-legal; one sequence at a time). Computed
root-fifth-approach line remains the fallback for pack-less styles.
BASS is now real end-to-end. Critic PASS (independent re-realization
of all 912 placements exact; untouched instrument paths byte-identical;
import cycle proven safe in both load orders).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Every loop chord is a permanently expanded vertical row: education
header (solo-scale label, guide-tone aim dots with honest 5th
fallback, voice-leading chip incl. the wrap-around loop rail) + the
full voicing gallery for the global instrument; galleries flex-wrap,
zero row-level horizontal scroll; playhead adds highlight classes only
(rows proven byte-equal modulo highlight artifacts); pin simplified to
a focus toggle (onFocusChord contract byte-compatible with L-40).
VoicingBrowser: show='bass' now renders an honest one-liner instead of
falling through to both galleries; dense drops section chrome
(non-dense proven byte-identical across 336 SSR combos). Critic PASS.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
The always-open zero-chrome band (GlanceRail + licks strip +
heard-live fallback) replaces CurrentJamPanel right below the
instrument view; the four-section dock becomes KnowledgeDock at the
bottom; RoadmapTrack unmounted (banner is the single loop display);
JamGuide's internal instrument/style tabs die — App's global
GUITAR/PIANO/BASS selector drives everything incl. the dock's
VoicingsSection; honest bass state (computed root-fifth-approach rows
+ notice, no galleries/licks); GlanceRail's scrollIntoView effect
deleted same-commit (would yank the document in page flow).
Ride-along: JamGuide resolveDegree exported (logic byte-identical) for
the C-40 drift guard. Critic PASS (SSR 22/22, audio-contract grep
zero hits, deletion sweep clean).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Boogie walkups, 8th-note ramble, Jimmy Reed R-5-6-5 shuffle, 12/8
root-fifth-octave slow burn, minor box riff (quality-resolved 3rd
self-majorizes on bVI7/V7), walking turnaround + two-beat kicks. The
maj-7 climb authored as a typed chrom-below approach (pitch derived,
offset 11 never written). KB now 172 plays. Critic PASS first try
(all 76 patterns machine-realized in C AND A; 12 prose identities
recomputed, all hold key-agnostically).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Guide-tone/tritone dyad system with the parallel half- and whole-step
laws, 7#9 as the codified blue note, the bVI7->V7 five-voice plane,
VI7b9 turnaround hinge, RH sixths; solo two-fisted vs rootless-band
contrasts per play. KB now 164 plays. Critic returned once (turnaround
jump-kicks bars 3-4 dyad orientations flipped + 2 prose rewordings),
fixed, PASS on scoped re-gate (stepwise lap chain recomputed from
scratch; "only leap" now provably unavoidable, not just chosen).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
COMMIT_VOTES=2 (unchanged, ~one bar), REPLACE_VOTES=3 (a transient or
flapping detection can never displace a committed loop; section change
replaces one commit later), NULL_CLEAR=6 (post-L-30, nulls only start
~28 commits after the loop last played — traced exactly). Vote ref now
{committedKey, candidateKey, candidateCount}; agreement resets rivals.
Diff = one hunk in the progression useEffect; audio-contract grep
clean. Ride-along: theory.js docstring overclaim softened (L-30 gate
finding b), comment-only. Critic PASS (independent re-trace of all
five scenarios + 3 hostile traces; REPLACE_VOTES=3 proven load-bearing).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
The station under the playhead auto-expands to the full voicing
gallery (VoicingBrowser dense) and advances with the music; other
stations keep their recommended thumb; level-filtered licks strip
below with token-boundary context sort and strip-owned "fits — now"
chrome; pin replaces tap-to-enlarge with identical onFocusChord
semantics; auto-follow never emits focus or audio; heard-live fallback
shows the live chord gallery. App.jsx and all renderers untouched.
Critic PASS (SSR 37/37, matcher proven on hostile cases, dense-less
render byte-identical to 0945a08).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Signature comp voicings over the computed fallback: m9 spreads, So What
quartal planing, Stevie 9sus cadence, m6/9 borrowed iv, 13sus, one 7#9
per loop; 3 comping cells + 5 improv rows. KB now 154 plays. Critic
PASS first try (independent arithmetic on 11 prose claims, spans <=11,
all 12 keys render in the 36-key window).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
All placeable guitar shapes and all four pianoVoicing styles render
simultaneously, each cell with its own play button; one-at-a-time
playback and the show prop semantics preserved. Critic PASS (SSR-verified
cell counts, zero aria-pressed, rootPc badge guard intact).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Piano branch prefers kb[style].instruments.piano.plays[prog][0],
resolving recipe degrees via a validator-mirrored resolveDegree +
strict-ascending stacking into MiniPiano's [0,36] space; per-station
fallback to computed pianoVoicingChain (reachable: 4 wide gospel
stations in key B); pack-less styles byte-identical to the computed
path. Critic PASS (0 drift cells vs the validator's resolveDegree;
390-cell sweep; key-B fallback confirmed rendering, not dead).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Church pillars vs rootless, hymn 12/8 vs octave-6/9, passing-dim walks
vs praise clusters, worship pads vs anticipated stabs; gospel comping
cells distinct from jazz's. KB: 140 plays. Critic returned once (one
improv-row scale claim false for vi7/iii7 — split into arithmetic-exact
rows), PASS on re-gate; 39/40 first-pass claims held.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
GuitarTab/PianoTab pass show=guitar/show=piano to VoicingBrowser
(D-23 prop); Knowledge Center + station-enlarge keep both rows by
design. Critic PASS (SSR: each tab renders only its row, legacy
content intact below).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Thumb window = whole octaves from the octave-C at-or-below the lowest
note (+ closing high C): shell thumbs 266px -> 142px, level with guitar
diagram thumbs. size=full and the legacy lh/rh path byte-identical.
Critic PASS (SVG geometry decoded back to absolute notes incl. the
octave-2 offset case; 793/793 smoke).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
14 plays (7 progressions x 2): Bud Powell shells, rootless Type A/B,
guide-tone comps; comping rhythms; piano-angled improv. Hand spans
<= a 10th throughout. Critic returned once (6 prose voice-leading
overclaims on fifths-apart dominant alternation), fixed, PASS on
re-gate (all 6 corrected sentences arithmetic-verified both
directions); ride-along one-word polish per gate suggestion.
Rendering the authored pack in the Jam Guide is task L-24.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
6 new level:'intermediate' progressions (tritone sub, rhythm-changes
bridge, gospel passing-dim walk-up, tonicized amen w/ borrowed iv,
Just-the-Two-of-Us loop, Sir Duke chromatic vi) x 2 guitar plays each;
all progressions in the three styles now carry explicit level. KB:
56 progressions / 112 plays. Critic returned once (3 caption theory
misstatements), fixed, PASS on re-gate (voice-leading arithmetic
hand-verified from shape constants).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
ChordDetailModal Guitar/Piano tabs mount VoicingBrowser on top with
legacy grips/technique reference preserved below; Jam Guide enlarged
station view gains the browser on both instrument tabs; parse-null
never mounts a wrong-chord fallback. App.jsx untouched. Critic PASS
(SSR-verified both entry points; onFocusChord effects byte-untouched).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
strIdx = rootStr-1 read OPEN [s6..s1] backwards: every rootStr-5 shape
sat 2 frets low, every rootStr-4 shape 5 frets low (A-shape C major
labeled fret 1 instead of 3) in ChordDetailModal/ExplorePanel/
CurrentJamPanel; rootStr-6 was accidentally correct (same pc both ends).
Now uses the shared 6-rootStr convention. Also: playChord docstring
octave example corrected. Critic PASS (6 independent fret checks +
252-entry pre/post sweep, structure unchanged).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Guitar row (placeable GUITAR_SHAPES via ChordDiagram) + piano row (4
pianoVoicing styles via MiniPiano), chips + explicit play button per
voicing through chordAudio; single shared stop handle; graceful
guitar-empty cell (only add9@E across 168 quality x root cells).
voicings.js gains an export-only GUITAR_SHAPES line. Critic returned
once (rootless voicings badged lowest voice as root — rootPc now passed
through), PASS on scoped re-gate.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Piano is computed (pianoVoicingChain over canonical stations), no
authored KB needed; guitar path value-identical; tap-station guide-tone
contract intact; App.jsx untouched. Critic PASS (303/303 empirical
station checks across 3 progressions x 3 keys; voice-leading threads).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
A forced rootless sus2 collided the suspended-2nd and synthesized 9th onto one key
(notes [26,26,31]). Dedupe at the single funnel point ([...new Set(placed)]); pcs/bass
derived from the deduped array. No-op on default/chain path (L-11 render unaffected).
Critic: Set merges only identical absolute integers (same key) so no needed note is lost.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
MiniPiano now dispatches: with a voicing={pianoVoicing(...)} prop it renders the
{notes,pcs,bass,style,label} on a 2-3 octave keyboard (root accent, bass amber-ringed,
thumb/full); without it, the legacy {rootPc,lh,rh} path is byte-unchanged so
ChordDetailModal + ExplorePanel render identically. Critic PASS.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Completes the flagship Roadmap feature. App.jsx lifts a jamFocusChord state (additive,
+10/-0, audio callbacks/refs untouched); JamGuide emits the tapped station's {rootPc,
quality} via onFocusChord; Fretboard halos the 3rd/7th with a degree badge.
Also fixes root-cause guideTones: hasSeventh now keys on real m7/M7 (interval 10/11),
not length>=4 -- so add9/maj6/min6 no longer badge their 5th/6th as a '7'. Fretboard
badge derives its label from the actual interval (belt-and-suspenders). RoadmapTrack
lane self-corrects. Critic returned-then-PASS on re-gate; build + smoke + validator green.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
5 pop progressions x 2 plays: axis (I-V-vi-IV), '50s doo-wop, Canon pop line,
Mixolydian bVII, minor loop (i-bVI-bIII-bVII). Open campfire + movable/barre play each;
sus taught as fills (chords voiced plain). KB now 10 styles / 50 progressions / 100 plays.
Critic PASS (voicings hand-verified, no duplicate ids).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Renders movable {rootStr,offsets} and open {frets,onlyRoot} KB shapes; computes movable
base fret from chord rootPc in standard tuning (E-shape A7 -> fret 5); root in accent
purple; thumb/full sizes; graceful '-' fallback for unplaceable shapes. Critic PASS.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
vadimwit