8 licks (31 total): bebop enclosure into the b3, Baker's 3-5-b7-b9
dim-flip over the V7, Powell ascent to the 9th, Garland-lane dominant
thirds fall; the b3->3 crush, pentatonic turnaround fall (verified
survives over a minor blues), Spann hammer dyads, the cry-and-melt
7#9 fill. All realized before prose was written. Critic PASS (35/35
prose claims recomputed in two keys; idioms verified to match their
names, not just cite them; dom7-heavy blues coverage accepted as
musically right).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Boogie walkups, 8th-note ramble, Jimmy Reed R-5-6-5 shuffle, 12/8
root-fifth-octave slow burn, minor box riff (quality-resolved 3rd
self-majorizes on bVI7/V7), walking turnaround + two-beat kicks. The
maj-7 climb authored as a typed chrom-below approach (pitch derived,
offset 11 never written). KB now 172 plays. Critic PASS first try
(all 76 patterns machine-realized in C AND A; 12 prose identities
recomputed, all hold key-agnostically).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Guide-tone/tritone dyad system with the parallel half- and whole-step
laws, 7#9 as the codified blue note, the bVI7->V7 five-voice plane,
VI7b9 turnaround hinge, RH sixths; solo two-fisted vs rootless-band
contrasts per play. KB now 164 plays. Critic returned once (turnaround
jump-kicks bars 3-4 dyad orientations flipped + 2 prose rewordings),
fixed, PASS on scoped re-gate (stepwise lap chain recomputed from
scratch; "only leap" now provably unavoidable, not just chosen).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
5 forms (standard/quick-change 12-bar, 8-bar, minor blues, turnaround
cycle) x 2 plays each: barre shuffle, Texas 9th stabs, Chicago tritone
shells, minor m7 + 7#9 climax. 4 named comping patterns, improv rules,
2 sourced licks. Validator and build green.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
vadimwit