8 licks (31 total): bebop enclosure into the b3, Baker's 3-5-b7-b9
dim-flip over the V7, Powell ascent to the 9th, Garland-lane dominant
thirds fall; the b3->3 crush, pentatonic turnaround fall (verified
survives over a minor blues), Spann hammer dyads, the cry-and-melt
7#9 fill. All realized before prose was written. Critic PASS (35/35
prose claims recomputed in two keys; idioms verified to match their
names, not just cite them; dom7-heavy blues coverage accepted as
musically right).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Guide-tone/tritone dyad system with the parallel half- and whole-step
laws, 7#9 as the codified blue note, the bVI7->V7 five-voice plane,
VI7b9 turnaround hinge, RH sixths; solo two-fisted vs rootless-band
contrasts per play. KB now 164 plays. Critic returned once (turnaround
jump-kicks bars 3-4 dyad orientations flipped + 2 prose rewordings),
fixed, PASS on scoped re-gate (stepwise lap chain recomputed from
scratch; "only leap" now provably unavoidable, not just chosen).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
vadimwit