8 licks (39 total): the gospel-scale run with the b3->3 crush, shout
run-up, harmonized sixths walk (the m6 falling exactly where the major
scale demands), diminished roll over the passing #iv dim7; the nine
sigh, quartal slip (grace-brushed fourths, all Dorian), the Dilla
lazy chromatic drop (derived approaches), pentatonic turn onto the 9.
Critic returned once (one interval claim said "each move a step" —
actually skip-then-step), fixed with the gate's own prescribed
wording, verified against its computed -3/-2 motion. 42/43 first-pass
checks; quality-context honesty verified against the styles' real
progressions.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
8 licks (31 total): bebop enclosure into the b3, Baker's 3-5-b7-b9
dim-flip over the V7, Powell ascent to the 9th, Garland-lane dominant
thirds fall; the b3->3 crush, pentatonic turnaround fall (verified
survives over a minor blues), Spann hammer dyads, the cry-and-melt
7#9 fill. All realized before prose was written. Critic PASS (35/35
prose claims recomputed in two keys; idioms verified to match their
names, not just cite them; dom7-heavy blues coverage accepted as
musically right).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Pop piano: 5 progressions x 2 plays (182 total) — triads/inversions
only, one sourced add9 shimmer; ballad rolls vs voice-led pillars,
doo-wop triplets vs one-finger walks, Pachelbel inversion stair,
tonic-drone pads, octave drive. Shapes: dim7/half_dim/aug/maj6/min6
each reach >=3 placeable grips, add9 gains a movable A-shape; dim
honestly left at 2. Audit also surfaced two WRONG pre-existing shapes
(half_dim E-Barre spells {0,3,6,7}; "Open Dadd9" is Dsus2) -> backlog.
Critic PASS (~110 independent checks; all additions pc-spelled in two
keys; strictly additive diff).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Piano licks live in <style>/piano.js licks arrays: required quality
(machine truth), deg XOR approach targeting the NEXT deg note
(enclosures fall out as idiom; same-type consecutive approaches
rejected), octave 0-2 with a 25-semitone cap proven one-semitone tight
against MiniPiano's 37-key window, 4-word piano technique vocab
(grace-note added; bend/vibrato impossible on keys), plus a dormant
smoke guard that activates when PianoLickCard.jsx exists. Smoke
879/879. Critic PASS (18 fresh sabotage cases, enclosure arithmetic
hand-verified, dormant guard proven to fire).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Boogie walkups, 8th-note ramble, Jimmy Reed R-5-6-5 shuffle, 12/8
root-fifth-octave slow burn, minor box riff (quality-resolved 3rd
self-majorizes on bVI7/V7), walking turnaround + two-beat kicks. The
maj-7 climb authored as a typed chrom-below approach (pitch derived,
offset 11 never written). KB now 172 plays. Critic PASS first try
(all 76 patterns machine-realized in C AND A; 12 prose identities
recomputed, all hold key-agnostically).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Guide-tone/tritone dyad system with the parallel half- and whole-step
laws, 7#9 as the codified blue note, the bVI7->V7 five-voice plane,
VI7b9 turnaround hinge, RH sixths; solo two-fisted vs rootless-band
contrasts per play. KB now 164 plays. Critic returned once (turnaround
jump-kicks bars 3-4 dyad orientations flipped + 2 prose rewordings),
fixed, PASS on scoped re-gate (stepwise lap chain recomputed from
scratch; "only leap" now provably unavoidable, not just chosen).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Signature comp voicings over the computed fallback: m9 spreads, So What
quartal planing, Stevie 9sus cadence, m6/9 borrowed iv, 13sus, one 7#9
per loop; 3 comping cells + 5 improv rows. KB now 154 plays. Critic
PASS first try (independent arithmetic on 11 prose claims, spans <=11,
all 12 keys render in the 36-key window).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Church pillars vs rootless, hymn 12/8 vs octave-6/9, passing-dim walks
vs praise clusters, worship pads vs anticipated stabs; gospel comping
cells distinct from jazz's. KB: 140 plays. Critic returned once (one
improv-row scale claim false for vi7/iii7 — split into arithmetic-exact
rows), PASS on re-gate; 39/40 first-pass claims held.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
14 plays (7 progressions x 2): Bud Powell shells, rootless Type A/B,
guide-tone comps; comping rhythms; piano-angled improv. Hand spans
<= a 10th throughout. Critic returned once (6 prose voice-leading
overclaims on fifths-apart dominant alternation), fixed, PASS on
re-gate (all 6 corrected sentences arithmetic-verified both
directions); ride-along one-word polish per gate suggestion.
Rendering the authored pack in the Jam Guide is task L-24.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
6 new level:'intermediate' progressions (tritone sub, rhythm-changes
bridge, gospel passing-dim walk-up, tonicized amen w/ borrowed iv,
Just-the-Two-of-Us loop, Sir Duke chromatic vi) x 2 guitar plays each;
all progressions in the three styles now carry explicit level. KB:
56 progressions / 112 plays. Critic returned once (3 caption theory
misstatements), fixed, PASS on re-gate (voice-leading arithmetic
hand-verified from shape constants).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
5 pop progressions x 2 plays: axis (I-V-vi-IV), '50s doo-wop, Canon pop line,
Mixolydian bVII, minor loop (i-bVI-bIII-bVII). Open campfire + movable/barre play each;
sus taught as fills (chords voiced plain). KB now 10 styles / 50 progressions / 100 plays.
Critic PASS (voicings hand-verified, no duplicate ids).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
5 progressions (8-bar country I-IV-V, Wagon Wheel folk axis, ragtime
I-VI7-II7-V7 circle, Rising Sun 6/8 climb with corrected changes,
bluegrass I-IV-I-V) x 2 plays: open G/C-family boom-chick sets with
capo strategy, anchor-finger folk grips, barre fallbacks. Comping
documents boom-chick, Carter bass runs, Travis picking, train beat,
waltz. Sourced Lester Flatt G-run licks. Research corrections honoured
(Rising Sun is i-III-IV-VI, not Andalusian; ragtime is the full VI7
circle). Validator and build green.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
5 progressions (circular I-IV-V, two-chord vamp, i-bVII minor vamp,
No Woman No Cry I-V6-vi-IV, verified rocksteady I-ii-iii-ii) x 2
plays: top-3 skank triads, Wailers middle-string set, top-4 partials,
quality-neutral 5+R dyads. One-drop/double-skank/ska/bubble grids
documented. Research flags honoured (NWNC is major-key; Get Up Stand
Up stored as near-one-chord; doo-wop claim replaced with verified
Queen Majesty changes). Validator and build green.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
5 progressions (Mixolydian vamp, I-IV-V, minor descent, axis, Dorian
riff cell) x 2 plays: open-chord Malcolm hits, second-guitar triads,
Keith sus figure, power-chord chug, Police add9 arpeggios, thumb-over
embellishments. omit3 is a declared omission like rootless - the
pitch-class check still applies. Validator and build green.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
5 forms (standard/quick-change 12-bar, 8-bar, minor blues, turnaround
cycle) x 2 plays each: barre shuffle, Texas 9th stabs, Chicago tritone
shells, minor m7 + 7#9 climax. 4 named comping patterns, improv rules,
2 sourced licks. Validator and build green.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
SCHEMA.md authoring contract, validate-kb.mjs quality gate (pitch-class
verification of shapes against chord qualities), registry, and the jazz
style: 5 progressions x 2 guitar plays (shells + drop-2), comping
rhythms, improv guidance, sourced licks. Validator and vite build green.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
vadimwit