8 licks (39 total): the gospel-scale run with the b3->3 crush, shout
run-up, harmonized sixths walk (the m6 falling exactly where the major
scale demands), diminished roll over the passing #iv dim7; the nine
sigh, quartal slip (grace-brushed fourths, all Dorian), the Dilla
lazy chromatic drop (derived approaches), pentatonic turn onto the 9.
Critic returned once (one interval claim said "each move a step" —
actually skip-then-step), fixed with the gate's own prescribed
wording, verified against its computed -3/-2 motion. 42/43 first-pass
checks; quality-context honesty verified against the styles' real
progressions.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Church pillars vs rootless, hymn 12/8 vs octave-6/9, passing-dim walks
vs praise clusters, worship pads vs anticipated stabs; gospel comping
cells distinct from jazz's. KB: 140 plays. Critic returned once (one
improv-row scale claim false for vi7/iii7 — split into arithmetic-exact
rows), PASS on re-gate; 39/40 first-pass claims held.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
6 new level:'intermediate' progressions (tritone sub, rhythm-changes
bridge, gospel passing-dim walk-up, tonicized amen w/ borrowed iv,
Just-the-Two-of-Us loop, Sir Duke chromatic vi) x 2 guitar plays each;
all progressions in the three styles now carry explicit level. KB:
56 progressions / 112 plays. Critic returned once (3 caption theory
misstatements), fixed, PASS on re-gate (voice-leading arithmetic
hand-verified from shape constants).
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
vadimwit